In demand: Matt Le Nevez is keeping busy in the wake of Offspring.
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In demand: Matt Le Nevez is keeping busy in the wake of Offspring.

In demand: Matt Le Nevez is keeping busy in the wake of Offspring.

So how has life been post Offspring?

I think I will always miss Offspring. It was such a pivotal show in my life, such an eclectic and amazing group of people to work with – I don’t know if I’ll ever experience that “lightning in a bottle” again, not only in the making of the series, but even the screening was quite extraordinary – but since my role ended I’ve been quite busy.

With?

Well, I’m living in Los Angeles but I came back to Australia and shot [the drama] Parer’s War, then did a bit more Offspring [for Nina’s dreams of Patrick] , then I shot Love Child about a year ago and went on to Tasmania for [upcoming Foxtel BBC Worldwide drama] The Kettering Incident, then on to Canada to shoot a couple of episodes of  [Christina Ricci’s drama project] The Lizzie Borden Chronicles, I just finished shooting a pilot in Chicago … so yeah I’ve been quite busy.

That’s an understatement!

Yeah and I’m almost ready to come back to Australia to shoot more Love Child. It’s been a crazy year or two but really exciting. Now I just can’t wait for Love Child to come out because this was quite a different show to what I’d done before, so quite challenging.

Your character in Love Child is very different to Dr Patrick, was that important to you?

It was, it was. I was always nervous about coming in to play somebody else’s boyfriend or love interest and when I spoke with [the producers] they had very similar views about where they wanted my character to go and how much energy they wanted him to have – which was good because as I said, Offspring was special. To follow up with something that was not as good or a bit weak [meant]  I was very wary of my next project. Clearly Parer’s War was something very different and this is too. The [Love Child] producers had some very clear ideas about what they wanted to introduce into the show to shake it up. They wanted to bring in someone who would have a different energy from not only the actors on board but also the time in which the series is set. They were looking at some of the pivotal people in Australia at the time and some of the things that were going on in the late ’60s to early ’70s and wanted a character who would represent that, in particular the Green Bans that were happening and move the story in that direction. There were young pivotal people who stood up (to protect) parks and buildings and my character is loosely based around that idea. It was a great opportunity and to be involved in a show like Love Child where the scripts are beautiful and telling an epic dramatic journey. And to work with those actors who create that energy. I’m very lucky.

After this we’ll see you in The Kettering Incident, which is different again.

This is a series that hasn’t been done in Australia before. Something very much influenced by the scandi-noir dramas like The Killing or The Girl With The Dragon Tattoo films that resonated around the world, but done in an Australian way. I think what has been created is unique in the Australian landscape and I can’t wait for it to come out. The scripts are incredible, the landscape of Tasmania where we shot is a character stronger than any written on the page, it’s just… this is a beautiful, brave piece of television, an amazing project and I’m very grateful to be a part of it.

And you mentioned a new pilot?

Yeah I just shot a pilot in Chicago for a new series called Runner, a mystery, drama action story about a family that gets pulled into gun-running across the Mexcian/American border. Like every Australian actor that comes to the US to throw their hat in the ring you hope to get a gig out of an audition, then when you do you hope for it to be a good one, then when it is you hope for the pilot to get picked up… and I hope we get the chance to move to Chicago to continue filming in August!

Love Child, Nine, Tuesday, 8.40pm

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